Modernism brings together faculty, students, and members of the public to explore perspectives on cultural artifacts, primarily literature, of the twentieth century. Instead of identifying a thematic focus for the year, we present lectures informed primarily by the interests of our speakers and reflecting multiple facets of Modernist studies.
Paige Reynolds, College of the Holy Cross
Stubborn Forms: Modernism and Contemporary Irish Women's Writing
Wednesday, April 26, 2017 - 6:00pm
Room 133, Barker Center
Kevin Ohi, Boston College
Abstraction and Embodiment in the Novel: Virginia Woolf’s Jacob’s Room
Ravit Reichman, Brown University
Modernism’s Conditions of Ownership: From Forster and Bowen to Marie Kondo
Octavio González, Wellesley College
Masochism and Narrative Mood in Jean Rhys’ Quartet: "[A] lack of solidity and of fixed background"
Maria del Pilar Blanco, University of Oxford
Science and the Literary Histories of Spanish American Modernismo
David Alworth, Harvard University
The Contemporary Art Novel: A Media Archaeology from Henry James to Ben Lerner
Nancy Gish, University of Southern Maine
“A Modern Aeneid": Eliot, Virgil, and Abandoned Women
Patrick Mullen, Northeastern University
Boston’s Mary Follett and the Modernist Re-imagining of Collectivity
Joshua Kotin, Princeton University
Modernism and Aesthetic Difficulty: Reading Ezra Pound and J.H. Prynne in Chinese
Gayle Rogers, University of Pittsburgh
Modernist Failures and the Provocations of Scholarly Aesthetics: Ezra Pound and the American University
David James, University of London
Modernist Consolations: Elegies of Redress, from Conrad to McEwan
Hannah Freed-Thall, Brown University
Newspaper Modernism: Media Aesthetics from Proust to Woolf
Michaela Bronstein, Harvard University
Mirrors Can Only Lie: James, Baldwin, and the Afterlives of Character
Samuel Alexander, Endicott College
Middletown, U.S.A.: Social Science and Modernist Form in Dos Passos's Trilogy
Benjamin Kahan, Louisiana State University
Sherwood Anderson’s Winesburg, Ohio, or Sex in the Age of Fordism
Christopher Grobe, Amherst College
On Book: The Performance of Reading from Poetry to Beckett to Gatz
Claire Seiler, American Academy of Arts and Sciences & Dickinson College
Suspending Modernism: Elizabeth Bishop and the Midcentury Problem
Catherine Kodat, University of the Arts
Modernist Dance and the Metapolitics of Cold War Culture
Susan Harris, University of Notre Dame
The Sunflower and the Soviets: Re-Reading Sean O’Casey’s Red Period, 1940-1964
John Lurz, Tufts University
Virginia Woolf's Material Modernism: Lingering with The Pages in Jacob's Room
David Sherman, Brandeis University
Varieties of Secular Experience in Hardy, Conrad, Woolf, and Beckett
Margaret Kelleher, University College Dublin
Bilingualism at the Bar: James Joyce’s Maamtrasna Revisited
Sanjay Krishnan, Boston University
Naipaul, Realism, and Styles of Modernity
Helen Vendler, Harvard University
Heaney and the Classics
Jed Esty, University of Pennsylvania
"Occidentalism Revisited: Conrad, Nabokov, and the Pornography of the West"
Gregory Castle, Arizona State University
"Modernism and Misrecognition: Yeats and the Temporalities of the Irish Revival"
Jonathan Foltz, Boston University
"Film as Silent Partner: Formalism / Modernism / Media History"
Hilary Schor, University of Southern California and Radcliffe Institute
"Modernist Temporality / Contemporary Cinema: Betrayal & the Filming of Tinker, Tailor, Soldier, Spy"
Lisa Fluet, Holy Cross
"More on Raymond Chandler: Jameson, Again"
Hillary Chute, University of Chicago
"Fantastical Modernism: Time, Space, & Motion in the Comics of Winsor McCay"
Claire Connolly, University of Wales, Cardiff and O'Brien Visiting Scholar in Canadian Irish Studies, Concordia University
"Via Holyhead: Modernism and Celticism between Ireland and Wales"
Liesl Olson, National Endowment for the Humanities Fellow and The Newberry Library
"Porkpackers and Poetry: Making Modernism in Chicago"
Jeanne Follansbee, Harvard University
“Anti-Fascism and the Politics of Aesthetic Experience in Richard Wright and Tillie Olsen”
Joseph Valente, University of Buffalo
"The Accidental Autist: Neurosensory Disorder in Conrad's *The Secret Agent*"
Lisa Siraganian, American Academy of Arts & Sciences and Southern Methodist University
“Wyndham Lewis, Virginia Woolf, and the Redness of the Real Red”
Stephen Regan, Durham University
"Naturalism and Impressionism at the Fin de Siècle: George Moore's Esther Waters"
Angela A. Ards, Radcliffe Institute for Advanced Study
"Portrait of the Artist as a Black Girl: From Zora Neale Hurston to June Jordan's Afro-Modernist Autobiography"
Mark Morrisson, Pennsylvania State University
"Occult Surrealism: Ithell Colquhoun and the Celtic Fringe"
Marilyn Reizbaum, Bowdoin College
"Muriel Spark's Ridiculous Modernism"
Evan Horowitz, Radcliffe Institute for Advanced Study
"Early Cinema and the Gothic: Frankenstein, Quasimodo, Dorian Gray, and Mr. Hyde"
Matthew Wilson Smith, Boston University
"The Nervous Stage: On the Twin Births of Neuroscience and Theatrical Modernism"
Nicholas Allen, National University of Ireland, Galway and Boston College
“Modernism, Ireland and the Americas: The Strange Case of Ernie O'Malley”